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THE ART OF VISUAL EFFECTS AT ESCAPE STUDIOS
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Authors

  • Alexander Williams's avatar Alexander Williams
    • Film Soc Screening of “The Snow Queen” on Thursday 18 December at 5pm
    • EscapeVerse Live is Back 24-26 Feb 2026
    • Escapees on “Wicked: For Good”
    • Undergraduate “Taster Day” at Escape Studios Saturday 6 December 2025
    • “Meet The Masters” with Dan Shutt 15 December 2025
  • Alexander Williams's avatar Alexander Williams
    • New European Scholarship for Undergraduate Study at Escape
    • Escape Studios 2025 VFX Showreel
    • Escape Studios Post Graduate & Short Course Term Dates 2025-26
    • “Set in Stone” Wins “Best VFX” at Eastern Europe Film Festival
    • Daniel Beeching Studio Assistant at Escape Studios
  • brandonleewelch's avatar brandonleewelch
    • Some useful external 3D and VFX resources
    • The Importance of Drawing for 3D artists
    • Composition 101 with Brandon Welch
  • carlospoonf7257237dc's avatar carlospoonf7257237dc
    • The Convergence of AI and VFX: Speed, Control, and the Future of Creative Workflows
  • Clement Gharini's avatar Clement Gharini
    • VFX WORFLOW
    • VFX PROJECTS – UG YEAR 2
    • NODAL PLATFORMS
    • Film to Digital : brief history a revolution.
    • The Secret Life of Pixels
  • federicoarculeo's avatar federicoarculeo
    • We need to talk about Topology
    • Introduction to Physically Based Rendering
    • 4 websites for VFX 3D you should know!
    • Camera match in Maya with fSpy
  • Federico Arculeo's avatar Federico Arculeo
    • First-Year Students Showcase Their Impressive VFX Projects!
    • Over 33,000 Free Sound Effects from BBC
    • The Problem with Coca-Cola’s AI-Generated Christmas Ad
    • How to add all Megascans assets to your account
  • houdinisimon's avatar houdinisimon
    • Using terrain attributes to drive vehicle animation in Houdini
  • jonathanmcfallvfx's avatar jonathanmcfallvfx
    • M is for Metal
  • Klaudija Cermak Escape Studios's avatar Klaudija Cermak Escape Studios
    • ‘The Core Skills of VFX’ booklet launch
    • How are You Young People?
    • Filming MA VFX Compositing project
    • Escape Studios VFX Compositing Students at ‘Odd Socks’ short film ‘Cast and Crew Premiere’ in the Soho’s Courthouse hotel
    • HOW TO BECOME A GREAT VFX COMPOSITOR
  • lorenzomaniccia's avatar lorenzomaniccia
    • UNDERSTANDING COMPOSITING – PART 2
    • Understanding Compositing – part 1
    • How to generate an Alpha in Photoshop
    • How to grow a lawn using particles in Nuke 
  • lorenzomaniccia3813f787d9's avatar lorenzomaniccia3813f787d9
    • Nuke: Essential Techniques for the VFX Generalist – by Emanule Serniotti
    • Art Foundation Year 1: A Sneak Peek at What We Do
    • Nuke your videos for that Hollywood-quality look!
    • Some films and video games you must watch (and play!) before term 1 ends
  • mspevi's avatar mspevi
    • Webinar “Houdini 18.5”
    • What’s new in Houdini 18.5
  • riccardozanarini's avatar riccardozanarini
    • Junior FX Artists: Don’t Skip the Tools
    • AI in Middle-Earth: Visual Effects in the Lord of The Rings
    • USD: The VFX Superpower You Didn’t Know You Needed
    • Houdini: The Secret Sauce for 3D Creatives
  • sokratissynitos's avatar sokratissynitos
    • Let’s make some noise
    • Real Life Aliens
    • So, here is the recipe
    • On Beauty (the digital kind)
    • Selling the shot
  • Ilaria Colavito's avatar Ilaria Colavito
    • The World as Your Workspace
    • Unexpected Career Paths for VFX Artists
    • Essential Reference websites for Artists
    • Texturing in the Age of AI

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